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Julian Davies

‘Now And Zen IV (framed)’

Reduction linocut,
31cm × 32cm, Edition of 10
£125

‘Now And Zen IV (unframed)’

Reduction linocut,
31cm × 32cm, Edition of 100
£100

‘Now And Zen III (framed)’

Reduction linocut,
31cm × 32cm, Edition of 10
£125

‘Now And Zen III (unframed)’

Reduction linocut,
31cm × 32cm, Edition of 10
£100

‘The St Ives School Memorial Linocut (framed)’

Reduction linocut,
38cm × 45cm, Edition of 8
£165

‘The St Ives School Memorial Linocut (unframed)’

Reduction linocut,
38cm × 45cm, Edition of 8
£120

‘Halfway Here, Halfway There (framed)’

Reduction linocut,
50cm × 50cm, Edition of 9
£250

‘Octopus Puzzle (framed)’

Reduction linocut,
43cm × 39cm, Edition of 10
£165

‘Octopus Puzzle (unframed)’

Reduction linocut,
43cm × 39cm, Edition of 10
£120

‘Ghost Octopus Gets the Blues (framed)’

Reduction linocut,
34cm × 44cm, Edition of 10
£195

‘Balancing Act (framed)’

Reduction Linocut,
50cm × 60cm, Edition of 5
£300

‘Balancing Act (framed)’

Reduction Linocut,
50cm × 60cm, Edition of 5
£250

‘Out Of Sorts (framed)’

Reduction linocut,
32cm × 38cm, Edition of 9
£150

‘Around the bend (framed)’

Reduction linocut,
35cm × 45cm, Edition of 10
£195

‘Kyoto Circles (unframed)’

Linocut on Japanese Masa paper,
47cm × 38cm, Edition of 8
£250

‘Around the bend (unframed)’

Reduction linocut,
27cm × 38cm, Edition of 10
£150

‘Faux Pharaoh (unframed)’

Reduction linocut ,
27cm × 38cm, Edition of 8
£150

‘Halfway Here, Halfway There (unframed)’

Reduction linocut,
Edition of 9
£200

‘Fancy Meeting You Here (unframed)’

Reduction linocut,
27cm × 23cm, Edition of 6
£120

‘Fly by Night (framed)’

Reduction Linocut,
22cm × 28cm, Edition of 10
£150

‘The Uninvited Guest (unframed)’

Reduction linocut,
37cm × 28cm, Edition of 10
£150

‘With Moon Above and Sun Below (unframed)’

Reduction linocut,
22cm × 28cm, Edition of 10
£120

Julian Davies

For the past 30 years my printmaking has been exclusively in relief print, both wood and linoleum, mainly using the reduction method to achieve layers of bold colour and a simplification of form. I’m interested in the interaction between the shapes and colour and the relationships and tensions these throw up in the images. I am always striving to get the images back to the their most basic elements, discarding any extraneous mark-making, believing that what is left out is just as important as what is put in.

I prefer to work directly onto the block, rather than from sketches, making decisions and responding to how the work is developing, as this adds a level of spontaneity to the pieces. Most crucially of all, I want the work to be bright, cheerful and fun.

Julian Davies November 2025

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